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Showing posts with label Kimberlee Traub. Show all posts
Showing posts with label Kimberlee Traub. Show all posts

09 September 2009

5 mini-minis from Silber Records

It is always cool to get a package of these minicomics from Silber Media. They are the size of a pack of matches and each take a bout as long to read as the average TV commercial break. If I were not a mean old miser they would would be perfect to pass around to my friends. (If I had friends.) In a perfect world, little comics like these would be on the check out counter of my nearest gas station. You can find out more and order these for yourself at Silber Media.

Here is a look at the most recent batch:

Just A Man
Words by Brian John Mitchell with art by Andrew White.
At 56 panels/pages this is the strongest of these matchbook sized minis I've seen. The story is a simple western revenge scenario without any real innovations or twists but the execution is quite impressive considering the page/panel count and size. The art is probably the most ambitious I've seen in one of these matchbook minis which is to say that each panel holds about as much drawing as a panel smaller than a matchbook can hold and still make sense. I like White's drawing here. Flipping back through it for a re-read I find that the pages tell the story well without the text.

Lost Kisses #9
By Brian John Mitchell.
Like previous Lost Kisses this book contains one page gag comics where a stick figure talks or interacts with other stick figures and the gag is accompanied by text which tells what I assume is the more honest truth about the situation. The theme in this issue seems to be the artist's relationship with his friends. The gags work as self-deprecating humor in a simple way that might work on a t-shirt but the text gives it a punch of brutal honesty. It's like ironic catch phrases served up with an anti-irony vaccine. The two things kind of wash each other and leave me with feelings neither or elation or sympathy. A bit like a mild punch in the stomach.

Lost Kisses #10
By Brian John Mitchell.
This book continues the formula of the last issues but focuses it's attention on the artist's relation to love and uneasiness with his friends' affection toward him. It would be easy for this sort of introspective self-analysis to become depressing (and that does seem to be the default setting for a lot of auto-bio and diary comics) but the juxtaposition between gags and text keeps things light. There is a tongue-in-cheek self awareness about it that keeps you just a few feet on the funny side of whether or not you need to worry about the artist's potential suicide.

XO #5
Story and words by Brian John Mitchell with art by Melissa Spence Gardner.
Gardner's minimal Archie style cartooning mixed with Mitchell's Tarantino style characters and situations makes for a fun little read. The story itself is over the top and unbelievable but the character's delivery is so understated that I'm right there with him in every panel. I think the pacing and length are just right making this a really enjoyable episodic narrative. Not quite like a TV sitcom but exactly right for the trip to the bathroom during the commercials.

Worms #4
Story and words by Brian John Mitchell with artwork by Kimberlee Traub.
This comic continues Mitchell and Traub's Lynchian horror adventure. The narrative is a stream of consciousness nightmare. The story does not really move far beyond the previous issues. The character is moving in baby steps as she tries to figure out what is happening to her. Traub does a good job of setting up the scene, action and emotion in as few brush strokes as possible. It's like narrative flash art. Considering the format, each panel represents a clever choice on Traub's part.

Your best pal ever,
Shannon Smith

12 May 2009

Three more minis from Silber Media


Published by Silber Media.

Brian John Mitchell sent in three more matchbook sized minis from Silber Media.

worms #3 "inside me" continues a Lynchian thriller. The writing is in a stream of consciousness style and it is unclear what is real, metaphor or illusion. This issue includes and IV full of snake headed worms. The images are minimal but stylish. You can see the tattoo art influence in Traub's drawing. At this short length it is hard to tell if the story is going anywhere. It feels like episodic television and would probably process better if each issue could be read within a week or so of the last.

The Lost Kisses minis continue Mitchell's series of one panel gag comics. The gags are linked together by a typed statement at the bottom of each gag. These statements reinforce the gag but more importantly link the gags together into a loose narrative. Maybe a little too loose in #7. The book was a bit confusing and felt like the pages might have been out of order. #8 is a lot tighter and sticks to a consistent theme throughout. Most all of the gags in both books are funny but I think #7 might work better without the typed statements. What I like most about Mitchell's comics is that he is able to make light of mundane relationship moments without being to cute or too bitter.

Your best pal ever,
Shannon Smith

29 January 2009

Three minis from Silber Media


Silber Media sent me three little matchbook sized minis from Brian John Mitchell and friends.  Each mini is about the size of a matchbook.   I like mini-minicomics a lot.  They are just cool to look at and hold and they fit in your shirt pocket.  They are great to pass around to friends.  Everyone should have more of them and cartoonists should make more of them.  They are not the easiest minis to make though.  When you work at that size it is really hard to cut the paper correctly.  If you are off by just the least little bit then you have ruined at least one copy.  Maybe more.  They are also hard to write and draw for.  You have to take into account the lettering size, page transitions and the composition.  Mitchell seems to have all the logistics figured out.   Each of these comics work at one panel per page which is perfect for the size and works really well with the pacing because each page turn is a story transition.  
Lost Kisses is a collection of one page thoughts on the writer's relationship with women drawn with stick figures.  The first half of the book is from a positive point of view and then you flip the book and start over and you get it from the negative point of view.  It is both cute and disturbing.  
worms is a dreamlike horror/thriller with art by Kimberlee Traub.  The art is minimal but iconic and expressive for such small panels.  The story moves a natural yet dreamlike pace assisted by the one panel per page format.  
XO features more ambitious art by Melissa Spence Gardner.  The writing is a lot deeper as well.  The main character performs some very violent acts as if they were any other mundane tasks.  It's American Splendor meets American Psycho.
Each of these three minis came in it's own neat little plastic pouch and simply put they are just freaking cool looking.  Sliber Media is primarily a music label.  You can check out there impressive catalog here.  

Your best pal ever,
Shannon Smith