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Showing posts with label Batman. Show all posts
Showing posts with label Batman. Show all posts

23 March 2023

Detective Comics 1068 (2023)


 All you really need to know about this comic book is that it features The Batman fighting a Wolfman.  My favorite literary genre is Fights a Wolfman.  And the drawing is incredible.  These are probably the best drawings of The Batman fighting a Wolfman that I have ever seen.  And I’ve seen multiple! I have seen and heard some criticism that this run of comics is slow and boring and I’d like to know what comics you guys are reading where someone fights a Wolfman that are better than this?

Before we get into the scoring, I wanted to talk a little bit about how great Evan Cagle’s covers are. When I first considered using a scoring system here at file under other, I considered giving the covers their own score but I gave up on the idea because of variant covers. I do not have any opinions about variant covers worth getting into but it’s hard for me to rate a book based on its cover when there are six variants out there that I may have never seen.  Nevertheless, I have seen Evan Cagle’s covers and they are great.  Literally, the reason I got back into buying Detective Comics.

All right, on with the scores.  This is a comic with two stories by two creative teams so we will judge them separately.

“Half a Chance in Hell”

Writing: Ram V.  I think Ram V is great and other than Grant Morrison’s Batman Inc. stuff, this is probably my favorite Batman run since the Legends of the Dark Knight series started in 1989.  This feels like that stuff. It feels stand-alone.  I truly have no idea if it has any connection to the current DC Universe or not.  And that’s fine!  I love what Ram V is doing here.  And did I mention there is a Wolfman!  Score: 4.5

Drawing: Ivan Reis & Rafael Albuquerque.  Rafael Albuquerque has been killing it on this book.  I might get that fight scene with the Wolfman as a back tattoo.  I would give this a perfect score but the art is split between two artists so there is some inevitable inconsistency. Score: 4.5

Coloring: Danny Miki.  A little dark for my tastes and it can get a bit muddy but it works well enough with the story. Score: 4

Lettering: Ariana Maher.  White letters in red boxes.  Do not like.  Score: 2

“A Tune That Listens Back”

Writing: Simon Spurrier.  I like the idea of this. Jim Gordon PI with a sidekick. I just do not care about the sidekick.  Score: 3

Drawing: Dani. Is there a word for this style? Alex Maleve, D. G. Chichester… you know. It’s like Frank Miller’s blacks without Klaus Jenson’s lines against photocopies of pictures of buildings.  I do not care for it. Score: 2

Coloring: Lee Loughridge.  It’s the Lynn Varley style that works with Batman.  It still works. Score: 3

Lettering: Steve Wands.  This one is very text heavy.  Wands is doing a lot of work here but there is that one panel with yellow letters in a red balloon.  No thank you.  Score: 2

Total Score: 3.125 out of 5 Shanos.

Love always. Your best pal ever, 

Shano

08 December 2013

Other Comics News Parade-O-Links 12082013

(Detective Comics #389.  Image stolen from an incredible set of Neal Adams art at The Golden Age.)

Here are some things I found interesting in the world of minicomics, comic books, graphic novels, small press, self publishing, zines, webcomics, cartoons, digital comics, other, etc. during the week ending 12082013:

"When I heard that Ed was accused of child molestation, I had a hard time believing it. I knew Ed. I couldn’t see it. But that is the way of sociopaths that they can make themselves look innocent and normal in the eyes of everyone else."  -Kathleen David on Ed Kramer.


  • Dan Nadel announced that Picture Box will not be publishing any more books.  It is certainly not good news for comics.  You can't just assume that someone else will pick up the kind of books Nadel would have been publishing if he had carried on and you certainly cannot assume that they would be published with the same quality.  I personally did not buy many Picture Box books.  I just couldn't afford them.  Sorry.  You can make they greatest work of human expression of all time but if it costs over $15.99 there is a good chance I'm never going to read it.  Back when I worked at Borders as an inventory manager, I made sure my store stocked a lot of small press graphic novels if for other reason that I myself could read them.  But I left Borders and moved to the cow fields about the same time Picture Box started.  I picked up a few things here and there at conventions and when I visited civilization.  But I missed most of what Picture Box did.  You can't have it all.
  • I still pick up Brian Chippendale's Maggots and flip through it about as much as I flip through anything.  It is still fascinating.
  • I also couldn't afford anything on Fantagraphics Kickstarter.  Sorry.  You small press comics book publishers let me know if you start publishing any comic books under ten dollars. 
  • David Alan Doane is back to comics blogging.  That's swell. 
  • I enjoyed this article on the evils of smarm.  But if you really want to learn about smarm, watch professional wrestling.  Bo Dallas is the human smarm.  


Your best pal ever,

Shannon Smith

p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
p.p.s. Let's pretend we went to high school together on facebook.
p.p.p.s. Google + is another place you can read the same thing I posted here.
p.p.p.p.s. I'll tumblr for ya.
p.p.p.p.p.s.  Yeah, I do Instagram too now.  I guess it's a law or something.

04 December 2013

Random Digital Meltdown 12042013

(Image from Richard Sala's Violenza.)

Hi pals.  Let's take a look at some of the comics I've read on my phone or PC lately. For the sake of this blog post I'm going to call these digital comics because I read them digitally on Comixology but I am aware that some of these are also print comics.

Violenza by Richard Sala.
Published by Fantagraphics.  Digital comic sold for $4.99.

I was very excited to find out that I could pay five bucks for a new Richard Sala comic and read it instantly on my cell pad pod phone and./or PC laptop.  I couldn't pull that trigger any faster.  Done.  This comic gave me most of what I came for, Richard Sala art and some funny bits, but it left me a ldissapointed.  Sala never bothers to explain any motivation behind his main character's actions.  There really isn't any kind of plot that I can make out here.  And worst of all there is no real resolution at the end.  It feels like the first 50 pages of what should be a 150 page comic.  Is there more to come?  I have no idea.  If there were, I'd buy it for the same reason I bought this, Richard Sala art and some funny bits.  But I would sure hope it might have an ending.  I was also dissapointed that I could not recommend this one for my daughter.  Not that evertthing has to be for kids.  Trust me, plenty of things are for kids.  But this comic feels like a missed opportuity in that regard because the humor is juevenille (and I mean that in a good way) but the violence is Hollywood NC-17.  I'm honestly not clear on who this comic is for.  Well, other than that one guy in Virginia that will pay $4.99 for 50 pages of Richard Sala art without really thinking about it.  

(Batman 66 image by...)

Batman 66 by


Batman 66

Adventures of Superman

Sex Criminals

American Barbarian

Love And Rockets New Stories

26 August 2013

Other Comics News Parade-O-Links 08262013

(Atari Force issue 2 from 1984.  Cover art by Jose Luis Garcia Lopez.  Image stolen from Comics Bronze Age.)

Here are some things I found interesting in the world of minicomics, comic books, graphic novels, small press, self publishing, zines, webcomics, cartoons, digital comics, other, etc. during the week weeks ending 08262013:

"Despite this irrefutable evidence of longevity, I tend to think of DC as a young company.  The New DC is more than a slogan.  It describes a radical change in our company's operating philosophies and in the nature of our publishing ventures.  It started just two short years ago when DC Comics made a commitment to the creative community and the public that henceforth DC Comics wanted to publish comics that would make the creators proud and appeal to the readers."  Dick Giordano from his Meanwhile column in DC comic books showing a cover date of June '84.
   
  • I guess it's been a few years since I've done one of these.  Where should I start...
  • Let's star with me.  I've been having an original art sale. You are welcome to get on board with that.  The prices are super great and as of this moment I am still doing free shipping.  For pals that have already made purchases.  I hope to wrap up all of the commissioned/requested/bonus art this weekend and ship early next week.  Sorry it took so long.  I love you like cancer loves a prostate gland. 
  • I went to RobCon.  That was cool.  I bought some Atari Force comics.  All that matters to me now is Atari Force. 
  • Atari Force update:  I'm only about one issue short of the complete run.  Follow me on twitter for instant updates on my Atari Force collection.
  • Batfleck happened. When I first heard the Batfleck news I wondered why Ben Affleck would wish all that fanboy hater bullshiz on himself.  And then I remembered that when someone asks you if you want to play Batman in a movie you say yes.  It's really the only option.  Buy sure, the "fans" freak out.  I'm a Star Wars nerd so it reminds me of the early days of teh intronets when "fans" lost their damned minds at the thought that Leonardo DiCaprio might play Anakin Skywalker.  Oh the horror of the thought that a talented actor that is the exact right height, build and look as the character be cast in the role.  DiCaprio turned out to be one of the most successful and praised actors of his generation.  I'm not saying Affleck is his generation's greatest actor or anything but I'm pretty sure a two time Oscar winner that is the exact right height, build and look as Bruce Wayne can put on a rubber suit and punch out another guy in a rubber suit.  It's gonna be okay. The "fans" have successfully cast about zero movies ever.  Leave this stuff to the professionals. 
  • I'd like to take a moment to speak specifically to the youngs.  Pay attention to this Affleck thing because this is how it is going to be.  For the rest of your life, there is nothing my generation is not going to ruin for you.  Every single thing that means anything to you, we are going to destroy.  One day, you will thank us for it.
  • Speaking of Batman, because that's all thousands of years of western civilization had prepared us to do;  I don't want to sound like some fuddy-duddy Silver Age apologist but I've noticed recently that a of people saying Batman should kill the Joker and that Superman should kill.  I hear people justify this by saying that it should be realistic and that they should have to make those tough moral decisions.  Now, maybe fictional guys in rubber suits should kill the bad guys but please don't call it realism.  I don't know about you, but the last moral decision I made didn't have anything to do with killing people. And I don't think many of us ever have to make the decision whether or not to kill. In fact, the more you think about it, unless you're in doing it in self defense or in the line of duty in you job in the police or military, killing is always illegal and immoral. Why would we want our superheroes to do that?  You want realism in your comics and entertainment?  Realism sucks.  Realism is a life where the hardest moral decision you make each day is what to have for lunch. 
(Brad McGinty drawn Regular Show page stolen from Comics Alliance.)
  • Comics Alliance has a preview of the next issue of Regular Show.  I mention this for a couple of reasons.  For one, I really like Regular Show and the first two comics were good.  But mostly I mention this because my pal Brad McGinty has a story in issue 3 and it looks amazing.  Brad McGinty is one of the best drawers of comics that there is but holy snot y'all just look at those colors.  I truly believe that Brad McGinty is the future of comics.  In that future, the main thing I hope people start stealing from Brad is his coloring style.  It is the correct way to color comics.  Now, you may have thought that there are all kinds of different ways to color comics.  Nope, you are wrong.  Just one.  When you color comics, it is supposed to look like this. 
  • Also on Comics Alliance, Chris Sims talked to some of the creators behind the greatest TV show that has ever been made. 
  • Lucy Knisley posted this nice comic.  She's a bit to McCloudy for my tastes but the sentiment is lovely. 
  • Chris Schweizer explained how to make minicomics and it was rad. 
  • Secret Acres explains Autoptic to the youngs.
  • Ya know, I hate the youngs.  Seriously. F all you guys.  Listing things is the worst.  This blog you are reading now with everything in a list and bullet points.  It is the worst.  We used to have these things called paragraphs and they were great.  It's all your fault the youngs.  I hate you.  Come at me.  Seriously, I will fight you all at once and kill you all.  What you don't know about my generation, "Gen X", is that every one of us, every single ehFing one of us, got together at a cough syrup fueled rave orgy during the 90s and every damned one of us are totally riddled with a disease that we are all immune to but will kill you dead just by being on the internet at the same time as us.  Seriously.  We will kill all of you.
  • Soon.
  • Get well, be well and stay well Mike Grell. 
  • Have you been sitting around thinking, oh man, oh man, if only, if only there was one more place I could post my drawings and art?  Boom hears you.  Boom loves you.  Boom wants you. 
  • "He had this idea that the world would be better if men would just submit to women's complete instruction. But he took it all the way – not just submit to instruction but get collars on, and get down on all fours, and just admit that's where you belong, guys." 
  • Tom Scioli writes about Silver Surfer and I wish that everyone that writes about comics would read the piece so that they would experience the exact way that Shannon Smith prefers people write about comics. 
  • It's also okay for you to write about comics the way Joe McCulloch writes about them here in this piece about Jae Lee. 
  • Jeff Trexler works through the larger legal ramifications that could be at stake in Kirby vs. Marvel.
  • There should be a Kirby vs. Marvel comic book.  K vs M!   Hundreds of pages of Jack Kirby punching out Marvel executives and lackeys  working his way through all the appeals court judges and eventually slapping the entire Supreme Court in the face with the constitution.  
  • Speaking of the King, this Jack Kirby birthday celebration comic looks like it's gonna be really nice. 
  • Have I told you about Patrick Dean's comic The Grizzly that you can go read over on Study Group?  Damn, I probably should have told you about Patrick Dean's comic The Grizzly that you can go read over on Study Group. 
  • Some cartoonists make dick and fart jokes.  Others go to Gitmo. 
  • Do you like comics?  Do you like small things that fit in your shirt pocket?  Here ya go. 
  • Let's all go over to Frank Santoro's house and read his minicomics. 
  • If someone wants to buy all these Steve Lafler comics and mail them to me free of charge that would be super okay with me.
  • If you kids don't stop being bullies I'm going to punch your faces in.  Now get back in the trashcan!
  • But hey look, we've got a new Doctor Who coming that I think all the fans will agree on and be totally happy with.
  • A magazine that existed just because Mark Millar wanted to make people think they were seeing the word "cunt" on a magazine cover failed to find an audience.  What a surprise. 
  • Tom Spurgeon had some thoughts on Before Watchmen.  My local comic book shop video game store that sells comics has multiple copies of what I believe is the complete run of those Before Watchmen monthlies mixed in with boxes of comics they sell at 75% off.  A few feet away they have all those new hardcover collection things selling for, what, twenty or thirty dollars each.  I don't know what that means.  Here is what I think Before Watchmen means; DC won, we all lost.  As always, DC gives the customer want they want the customer to have, not what the customer wants and for some reason the customer keeps buying it. 
  • Marvel on the other hand, gives you what you want over and over and over and over until you never want it again.  (But the customer still buys it.)
  • But that's okay as long as what they give us is Howard the Duck in a video game. 
  • Howard also got his name dropped in that Disney/Marvel crossover cartoon thing. 
  • I've looked at the map and, even though I live in the south, I'm pretty sure I can live the rest of my life without ever stepping foot in or driving through South Carolina again.  
  • And finally...  Francis has had enough of your superhero movie bullshit. 
And that's just a taste of some of the interesting things going out there in the wonderful world of comics and things. I can't keep up with it all but I do keep up with a lot of it on twitter and I try to re-tweet the good stuff. You should probably follow me there. If you did something to make comics better this week then high-five!

Your best pal ever,

Shannon Smith



p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
p.p.s. Let's pretend we went to high school together on facebook.
p.p.p.s. Google + is another place you can read the same thing I posted here.
p.p.p.p.s. I'll tumblr for ya.
p.p.p.p.p.s.  Yeah, I do Instagram too now.  I guess it's a law or something.

31 March 2013

Other Comics News Parade-O-Links 03312013


(Pizzazz October 1978.  Stolen from Star Wars 77-80 Collector's Blog.)

Here are some things I found interesting in the world of minicomics, comic books, graphic novels, small press, self publishing, zines, webcomics, cartoons, digital comics, other, etc. during the week ending 03312013:

"'Why don't you write comics anymore?' I get asked this a lot, so much so that it made sense to me to post something about it. At some point I was no longer a writer. I had, somehow, become a black writer. This perplexed me, considering that, back in the halcyon 80’s, where Marvel was a hotbed of scathing, litigiously un-PC sexism and racism (reference: Rescue Me's potty-mouthed fire house), I was never seen as a 'black writer.' I competed with everybody else, with guys who had much more experience than I, and did the grunt work and odd jobs just like anybody else. Nobody at DC hired me to reboot Green Lantern in Emerald Dawn because I was a black guy, and Fabian Nicieza seemed to not notice or care about my skin color when he approached me to dream up a Power Man/Iron Fist-esque buddy book for his startup imprint Acclaim. Pre-Milestone, the subject just didn't come up. Which isn't to suggest racism did not exist, it surely did, but that, for the most part, my race had nothing to do with the assignments given me (or not as the case may be). Somewhere along the way, Marvel became much more PC and I became inexplicably much blacker." -Christopher Priest stolen from VR Gallaher.

Oh, and one more last thing!  Did you know you can leave comments on these posts here at file under other?  It's true!  And, I'll probably respond.  Twitter and facebook killed the message boards but that's no reason why you can't argue with me, praise me or leave me recipes.  It's your intronet.  Have fun!

And that's just a taste of some of the interesting things going out there in the wonderful world of comics and things. I can't keep up with it all but I do keep up with a lot of it on twitter and I try to re-tweet the good stuff. You should probably follow me there. If you did something to make comics better this week then high-five!

Your best pal ever,

Shannon Smith

p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
p.p.s. Let's pretend we went to high school together on facebook.
p.p.p.s. Google + is another place you can read the same thing I posted here.
p.p.p.p.s. I'll tumblr for ya.

03 March 2013

Other Comics News Parade-O-Links 03032013

(Image stolen from the Lattaland tumblr.)

Here are some things I found interesting in the world of minicomics, comic books, graphic novels, small press, self publishing, zines, webcomics, cartoons, digital comics, other, etc. during the week ending 03032013:

"And the strange thing about that, and the strange thing about the whole strip, is that it’s definitely true. It’s autobiographical, but it’s also fictional. But that means my actual real life is becoming fiction if I am saying lines for the idea of getting a response. So suddenly my strip is autobiographical, but my real life is fictional. [laughs] And then, towards the end, there’s this weird feedback loop too, because I’m putting it up online, and I’m putting it in the newspaper, and I hear responses back from people, and make adjustments to my life based on reader reaction. I mean, that is insane! So I began to feel like I was trapped in some sort of strange dimension where nothing was real. You know it’s like the philosophical question of are you a person, or are you butterfly dreaming they’re a person? Are you a brain locked in a box on some distant planet being fed stimuli?"  -James Kochalka.

  • Here is part three of that Marvelman history thing The Beat has been running.  
  • Neil Cohn dissects Eddie Campbell's "rules" with some interesting info on how your eyeballs work.
  • Hey look, it's Julie Doucet. 
  • The Comics Reporter interviewed the great Richard Sala. (My daughter really wants a sequel to Cat Burglar Black.)
  • Robert Newsome's latest talking and music thing has a fun interview with a guy from a possibly fictional place called "Britain".  I learned some neat things about "British" television and "sport".  (Also known as "sports".)
  • Okay 3, I made a note to share with you some links to some things Sean T. Collins wrote about webcomics.  They were good things worth reading.  But now, all I can find when I search for it is a huge red cloud with the word "vorpalizer" in the middle of it.  Down below it are words that may be good but they are scrunched down there and it makes my head hurt.  So, ya know, I tried.  I tried. 
  • Sean T. Collins also wrote a thing about the latest issue of Grant Morrison's Batman Incorporated.  I can read that because it is on Wired.  You can too.  I will add that Morrison's Batman got screwed at a lot of points along the way.  Probably not intentional screwing but just bad timing.  For one, right from the start he got screwed by coming starting hid run at a time when 100% of the hype was focused on the Frank Miller/ Jim Lee catastrophe All-Star Batman.  Then he had to carry DC comics on his back has he swam through the river of fire that was 52, Final Crisis and Flashpoint.  Then once he was finally doing his thing for real with Batman Inc. he got shut down by the New 52 and had to re-start the thing nine or ten months after the newness of the New 52 had worn off.  Being vastly successful is hard y'all. 
  • But enough about Grant Morrison, let's talk about Grant Morrison...
    THE BEST SINGLE NEW PRINT COMIC I READ THIS WEEK
    (Image stolen from Newsarama.)
    ...was either going to be Uncanny X-Men #2 or Batman Incorporated #8 because they were the only new comics I read this week.  Uncanny X-Men was good.  I'm enjoying these Bendis X-Men comics a lot and thanks to those digital codes that come with them, my daughter is enjoying them on her iPod touch thing.  Those Bendis X-Men comics seem to come out like, every day so it has already been an impressive run.  The best X-Men comics I've read since Grant Morrison's New X-Men.  But this issue of Uncanny was just talking so we will go with Batman Inc. #8 by Grant Morrison, Chris Burnham, Jason Masters, Nathan Fairbairn and several other people as the best comic of the week.
    Also, because it was the best comic of the week.
    Chris Burnham gives us 22 pages of super cool post Moebius/Quitely/McCarthy super hero punch up with the flying and the zooming and the whoosh and the crash and the bizzap and the boom and even some bam sok whap.  Burnham keeps enough detail in each panel to make it feel like the characters are real enough to bleed but his anatomy looks like it was taken from action figures so his fight scenes always have poses just a few lines away from being comical.  Right on the edge where I like it. There will come a day when you can't buy a monthly Batman comic drawn by Chris Burnham and that will be unfortunate.
    And while Jason Master's line is not as funky and cool as Burnham's he does a good job keeping the storytelling style in place during in his fill in pages.
    The story is a continuation of the war between Batman and Talia al Ghul that Morrison has been building for about six years now.  There have been some bumps in the road.  Some major distractions.  Batman died.  The whole DC Universe died.  The New 52 happened.  Batman Inc. was on hiatus for about nine months and then before it could build it's momentum up, issue #3 was delayed by the horrible shooting in Aurora, Colorado.  But by issue five or six, things were falling back in place and it has become clear to me, that Batman Inc. is the best comic DC is publishing.  Scott Snyder's Batman got to hold that title for a year or so and it will probably retake it when Morrison is gone but right now, at this moment, this is as good as DC gets at making comic books.
    Morrison and crew give us so many great moments in this comic.  This comic is Robin/Damian Wayne's comic book and everyone else is just supporting cast.  We get Damian flying in bat Iron Man armor.  We get Damian taking out little kids because he's a little kid and he can do what Dick and Gordon can't.  We get Damian schooling the other Robins on how what is really at stake with this villain because only he understands this villain.  Because she's his mom.  And, we get little kid Damian fighting a giant grown up cloned version of himself.  Most of which takes place in one amazing 20 panel page.

    SPOILERS!

    Duh.

    And he dies.

    C'mon people.  If you had been reading the comic you knew he was going to die.  And if you were not reading the comic then, bug off, why would you possibly care?  And yeah, it is lame that DC chose a publicity stunt over letting the timing of the death be a surprise but, welcome to mass entertainment.  It sucks okay.  Of course it sucks.   It sucks that something that was building for six years became a press release.  It sucks that a character that does the one thing mainstream comic book characters never do, grow, will be remembered as that day everyone went on twitter rants against DC.  Yeah.  It sucks.
    But it does not change a single line or single word on the page in what is a perfectly good Batman comic book full of running and jumping and punching and fighting.
    The kid was always going to die.  For a lot of reasons.  For one, it's Grant Morrison's character.  Sure, other writers gave Batman his son but Morrison made this character.  And dealing with this character has been much of what Morrison's Batman has been about.  And like Aztek, Morrison was never going to leave this character for other writers to screw up.  And Batman just can't have a son forever because the reader always wants the story where the next generation takes over.  And Batman is never going to let the next generation take over.  He's Batman.  Or as Morrison himself explained, "what son could ever hope to replace a father like Batman, who never dies?"
    So as far as comics deaths go, I feel this is a good one.  The PR cheapened it but it's a good death.  It does suck because Damian was a lot of fun, but it's a good death.
    And it does raise some interesting questions.  This comic specifically is full of images of a child being beaten and eventually killed.  It also shows a child beating up children.  It is harsh.  Super hero comics have always had that weird history of children in violence.  Children reading about children in violence.  But the world is violent.  Super hero comics are still mostly unrealistic adults fighting unrealistic adults.  In weird costumes.  In the real world, children shoot and kill children on the streets of Chicago.  Children are forced to fight as soldiers in Africa.  Hundreds of thousands of children are fighting as soldiers right now.  This is who we are as a race right now in the year 2013 on planet Earth.  As parents, the human race has failed.  We are the bad parents fighting each other and forcing our children to fight and die in our battles.  Batman's failure here is our failure.  Batman's whole life is about stopping crime but he just can't stop punching people.  And Batman tries desperately to keep his son from the violence but the son was born into this violence.  Batman's violence.  Our violence.  The children suffer for the parent's sins.  It's sad and it's harsh but that's who we are and that's who Batman is.
    I'll miss Damian.  He had a pet cow and liked to play with his pet kitty cat.  He was alright. 
    • And finally...  She don't leave the house is what I'm tryin' to say.
    Oh, and one more last thing!  Did you know you can leave comments on these posts here at file under other?  It's true!  And, I'll probably respond.  Twitter and facebook killed the message boards but that's no reason why you can't argue with me, praise me or leave me recipes.  It's your intronet.  Have fun!

    And that's just a taste of some of the interesting things going out there in the wonderful world of comics and things. I can't keep up with it all but I do keep up with a lot of it on twitter and I try to re-tweet the good stuff. You should probably follow me there. If you did something to make comics better this week then high-five!

    Your best pal ever,

    Shannon Smith

    p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
    p.p.s. Let's pretend we went to high school together on facebook.
    p.p.p.s. Google + is another place you can read the same thing I posted here.
    p.p.p.p.s. I'll tumblr for ya.

    24 February 2013

    Other Comics News Parade-O-Links 02242013

    (Image stolen from Comic Vine.  Possibly drawn by Herb Trimpe or Don Heck?)


    Here are some things I found interesting in the world of minicomics, comic books, graphic novels, small press, self publishing, zines, webcomics, cartoons, digital comics, other, etc. during the week ending 02242013:

    "Now I guess you’re all wondering where I fit into this; please allow me to explain. For an awful long time I’ve been worrying about Billy Batson. Billy, as you know is a grand boy, and I feel he is not being given a break. In other words, a chance to grow up. I went along to old Shazam and told him my worries, and between us we’ve decided to give Billy the chance to settle down. In order that this might be achieved, I shall soon be returning my powers to old Shazam and changing into the character of Billy Batson for the last time. This will give this grand lad a chance to develop into the type of citizen that I know you’ll grow into.
    Naturally we couldn’t leave the door of the world wide open for evil – hence Marvelman of whom I feel you’re just busting to know more. What could be better than to ask him to say a few words to you. It’s all yours, Marvelman:" -Captain Marvel.
      THE BEST SINGLE NEW newish PRINT COMIC I READ THIS last WEEK
      (Image stolen from Sequential Smart.)
      ...was Batman 17 by Scott Snyder, Greg Capullo and a bunch of other people.  I'm still behind on my comics due to a whole bunch of boring reasons but we'll talk about Batman today and hopefully catch up on some other things between now and next Sunday.  I had written previously about how I was disappointed in this Death of the Family storyline.  That was mainly in relation to the previous Snyder/Capullo Batman comics from 2011 and 2012 which I thought were as good or better than anything in super hero comics.  My main beef with Death in the Family has been the pacing.  That it did not feel big enough and things seemed rushed.  This is a horror story and there has not been a lot of time to scream.  Of course, this story is bigger than just the Batman comic.  It is a crossover event. I however have read only the Batman comics.  And I won't apologize for that.  As the customer, it is not my burden to read the other comics and figure it all out.  Maybe there would have been more weight to Death of the Family for me if I had read all of the other Bat family member's adventures but I just could not afford to do that.  But let's just forget about all that altogether and look at this one singe comic, Batman 17.  
      It is a very good Batman versus Joker comic book.  Maybe one of the best.  But I don't know, I've not read them all.  The real guts of this comic is mostly talking and it is the culmination of the 73 year long philosophical argument between Batman and the Joker over what they mean to each other and what they would be without each other.  Two insane guys saying 'yeah but at least I'm not as crazy as you' for 73 years.  And it's great.  I think Snyder and Capullo are pushing this thing just a bit further than it's been pushed before.  I think they may have pushed it as far as it can go.  This comic is the natural evolution of this story into a horror comic.  But it can't go all the way off the deep end because it is still a Batman comic.  Greg Capullo's art is gross and freaky and horrific but it is still stylized and Batman still has that larger than life chin because it is still a Batman comic.  Snyder's writing pushes the characters right to the edge but not over because it is still a Batman comic.  It points out the limitations of what you can do with a seven decade old children's character that dresses up as a bat and fights crime.  But for at least a few panels, I thought they might just cross the line.
      SPOILERS
      To push the Joker beyond where he's been before, to make him "real" whatever that means, the threat has to be "real".  Or at least movie "real".  Hannibal Lecter "real".  Or Gwyneth Paltrow's head in a box "real".  So the whole gimmick of this thing has been about faces.  Faces representing masks.  Snyder's Joker has litterally taken off his mask by removing his face then putting it back on.  It's gross but it makes the point that the mask or secret identity never mattered.  The lesson is that the Joker IS the Joker and the point of this whole campaign of horror is to teach Batman that Batman IS Batman and his desire to maintain some hind of human normalcy by working with the Bat family will either bring him down or bring them death.  Maybe both.  So, for the big climactic issue of this thing we have Batman tied to a chair at the head of a dinner table with all the Bat family in attendance.  But all of their faces are bandaged.  And before each of them is a big covered platter.  What is on those platters?!  What's in the box?!  Well, obviously, it is their faces.  Obviously, the Joker has carved off the faces of Robin, Batgirl, Batman's son, Nightwing and that other guy no one cares about.
      And for a panel or two I thought they might let Snyder go there.  I thought they might just do it.
      But, this is a Batman comic.  Of course their faces have not been removed.  It was just a sick Joker joke.  Batman gets out of it and the Batman family will carry one.  But the horror of the thing does have weight.  We see relationships changed.  We see the Bat family rethinking whether or not they want to hang out with Batman anymore.  We see characters in a different place than they were when the story started and that is about as "real" as we can ask a Batman comic to be.
      But what if he had cut their faces off?  What if the crossed that line into adult comics.  Into Marshall Law or Judge Dredd?  I think you could pull it off.  Bruce Wayne's top doctors sew the faces on, plastic surgery etc. and the status quo could be resumed.  But it would be hard to deal with.  Something like that and you are damaged goods mentally in a way that future writers would have to deal with for years.  It's like the death of Jason Todd.  It was super gross that they let fans kill a character but the real problem with Jason Todd's death is that every writer after it happened that wanted to use the Joker had to deal with it.  Again and again and again.  For 25 freaking years. The Joker was no longer the Joker.  The Joker was the guy that killed Jason Todd.  And that's why I think it was best for Snyder and Capullo to not to cross that line.  But for a few panels, they had me.
      • And finally...  Yes, that's right I'm judging you.  Look at me. Me.  I'm judging you.
      Oh, and one more last thing!  Did you know you can leave comments on these posts here at file under other?  It's true!  And, I'll probably respond.  Twitter and facebook killed the message boards but that's no reason why you can't argue with me, praise me or leave me recipes.  It's your intronet.  Have fun!

      And that's just a taste of some of the interesting things going out there in the wonderful world of comics and things. I can't keep up with it all but I do keep up with a lot of it on twitter and I try to re-tweet the good stuff. You should probably follow me there. If you did something to make comics better this week then high-five!

      Your best pal ever,

      Shannon Smith

      p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
      p.p.s. Let's pretend we went to high school together on facebook.
      p.p.p.s. Google + is another place you can read the same thing I posted here.
      p.p.p.p.s. I'll tumblr for ya.