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Showing posts with label X-Men. Show all posts
Showing posts with label X-Men. Show all posts

03 March 2013

Other Comics News Parade-O-Links 03032013

(Image stolen from the Lattaland tumblr.)

Here are some things I found interesting in the world of minicomics, comic books, graphic novels, small press, self publishing, zines, webcomics, cartoons, digital comics, other, etc. during the week ending 03032013:

"And the strange thing about that, and the strange thing about the whole strip, is that it’s definitely true. It’s autobiographical, but it’s also fictional. But that means my actual real life is becoming fiction if I am saying lines for the idea of getting a response. So suddenly my strip is autobiographical, but my real life is fictional. [laughs] And then, towards the end, there’s this weird feedback loop too, because I’m putting it up online, and I’m putting it in the newspaper, and I hear responses back from people, and make adjustments to my life based on reader reaction. I mean, that is insane! So I began to feel like I was trapped in some sort of strange dimension where nothing was real. You know it’s like the philosophical question of are you a person, or are you butterfly dreaming they’re a person? Are you a brain locked in a box on some distant planet being fed stimuli?"  -James Kochalka.

  • Here is part three of that Marvelman history thing The Beat has been running.  
  • Neil Cohn dissects Eddie Campbell's "rules" with some interesting info on how your eyeballs work.
  • Hey look, it's Julie Doucet. 
  • The Comics Reporter interviewed the great Richard Sala. (My daughter really wants a sequel to Cat Burglar Black.)
  • Robert Newsome's latest talking and music thing has a fun interview with a guy from a possibly fictional place called "Britain".  I learned some neat things about "British" television and "sport".  (Also known as "sports".)
  • Okay 3, I made a note to share with you some links to some things Sean T. Collins wrote about webcomics.  They were good things worth reading.  But now, all I can find when I search for it is a huge red cloud with the word "vorpalizer" in the middle of it.  Down below it are words that may be good but they are scrunched down there and it makes my head hurt.  So, ya know, I tried.  I tried. 
  • Sean T. Collins also wrote a thing about the latest issue of Grant Morrison's Batman Incorporated.  I can read that because it is on Wired.  You can too.  I will add that Morrison's Batman got screwed at a lot of points along the way.  Probably not intentional screwing but just bad timing.  For one, right from the start he got screwed by coming starting hid run at a time when 100% of the hype was focused on the Frank Miller/ Jim Lee catastrophe All-Star Batman.  Then he had to carry DC comics on his back has he swam through the river of fire that was 52, Final Crisis and Flashpoint.  Then once he was finally doing his thing for real with Batman Inc. he got shut down by the New 52 and had to re-start the thing nine or ten months after the newness of the New 52 had worn off.  Being vastly successful is hard y'all. 
  • But enough about Grant Morrison, let's talk about Grant Morrison...
    THE BEST SINGLE NEW PRINT COMIC I READ THIS WEEK
    (Image stolen from Newsarama.)
    ...was either going to be Uncanny X-Men #2 or Batman Incorporated #8 because they were the only new comics I read this week.  Uncanny X-Men was good.  I'm enjoying these Bendis X-Men comics a lot and thanks to those digital codes that come with them, my daughter is enjoying them on her iPod touch thing.  Those Bendis X-Men comics seem to come out like, every day so it has already been an impressive run.  The best X-Men comics I've read since Grant Morrison's New X-Men.  But this issue of Uncanny was just talking so we will go with Batman Inc. #8 by Grant Morrison, Chris Burnham, Jason Masters, Nathan Fairbairn and several other people as the best comic of the week.
    Also, because it was the best comic of the week.
    Chris Burnham gives us 22 pages of super cool post Moebius/Quitely/McCarthy super hero punch up with the flying and the zooming and the whoosh and the crash and the bizzap and the boom and even some bam sok whap.  Burnham keeps enough detail in each panel to make it feel like the characters are real enough to bleed but his anatomy looks like it was taken from action figures so his fight scenes always have poses just a few lines away from being comical.  Right on the edge where I like it. There will come a day when you can't buy a monthly Batman comic drawn by Chris Burnham and that will be unfortunate.
    And while Jason Master's line is not as funky and cool as Burnham's he does a good job keeping the storytelling style in place during in his fill in pages.
    The story is a continuation of the war between Batman and Talia al Ghul that Morrison has been building for about six years now.  There have been some bumps in the road.  Some major distractions.  Batman died.  The whole DC Universe died.  The New 52 happened.  Batman Inc. was on hiatus for about nine months and then before it could build it's momentum up, issue #3 was delayed by the horrible shooting in Aurora, Colorado.  But by issue five or six, things were falling back in place and it has become clear to me, that Batman Inc. is the best comic DC is publishing.  Scott Snyder's Batman got to hold that title for a year or so and it will probably retake it when Morrison is gone but right now, at this moment, this is as good as DC gets at making comic books.
    Morrison and crew give us so many great moments in this comic.  This comic is Robin/Damian Wayne's comic book and everyone else is just supporting cast.  We get Damian flying in bat Iron Man armor.  We get Damian taking out little kids because he's a little kid and he can do what Dick and Gordon can't.  We get Damian schooling the other Robins on how what is really at stake with this villain because only he understands this villain.  Because she's his mom.  And, we get little kid Damian fighting a giant grown up cloned version of himself.  Most of which takes place in one amazing 20 panel page.

    SPOILERS!

    Duh.

    And he dies.

    C'mon people.  If you had been reading the comic you knew he was going to die.  And if you were not reading the comic then, bug off, why would you possibly care?  And yeah, it is lame that DC chose a publicity stunt over letting the timing of the death be a surprise but, welcome to mass entertainment.  It sucks okay.  Of course it sucks.   It sucks that something that was building for six years became a press release.  It sucks that a character that does the one thing mainstream comic book characters never do, grow, will be remembered as that day everyone went on twitter rants against DC.  Yeah.  It sucks.
    But it does not change a single line or single word on the page in what is a perfectly good Batman comic book full of running and jumping and punching and fighting.
    The kid was always going to die.  For a lot of reasons.  For one, it's Grant Morrison's character.  Sure, other writers gave Batman his son but Morrison made this character.  And dealing with this character has been much of what Morrison's Batman has been about.  And like Aztek, Morrison was never going to leave this character for other writers to screw up.  And Batman just can't have a son forever because the reader always wants the story where the next generation takes over.  And Batman is never going to let the next generation take over.  He's Batman.  Or as Morrison himself explained, "what son could ever hope to replace a father like Batman, who never dies?"
    So as far as comics deaths go, I feel this is a good one.  The PR cheapened it but it's a good death.  It does suck because Damian was a lot of fun, but it's a good death.
    And it does raise some interesting questions.  This comic specifically is full of images of a child being beaten and eventually killed.  It also shows a child beating up children.  It is harsh.  Super hero comics have always had that weird history of children in violence.  Children reading about children in violence.  But the world is violent.  Super hero comics are still mostly unrealistic adults fighting unrealistic adults.  In weird costumes.  In the real world, children shoot and kill children on the streets of Chicago.  Children are forced to fight as soldiers in Africa.  Hundreds of thousands of children are fighting as soldiers right now.  This is who we are as a race right now in the year 2013 on planet Earth.  As parents, the human race has failed.  We are the bad parents fighting each other and forcing our children to fight and die in our battles.  Batman's failure here is our failure.  Batman's whole life is about stopping crime but he just can't stop punching people.  And Batman tries desperately to keep his son from the violence but the son was born into this violence.  Batman's violence.  Our violence.  The children suffer for the parent's sins.  It's sad and it's harsh but that's who we are and that's who Batman is.
    I'll miss Damian.  He had a pet cow and liked to play with his pet kitty cat.  He was alright. 
    • And finally...  She don't leave the house is what I'm tryin' to say.
    Oh, and one more last thing!  Did you know you can leave comments on these posts here at file under other?  It's true!  And, I'll probably respond.  Twitter and facebook killed the message boards but that's no reason why you can't argue with me, praise me or leave me recipes.  It's your intronet.  Have fun!

    And that's just a taste of some of the interesting things going out there in the wonderful world of comics and things. I can't keep up with it all but I do keep up with a lot of it on twitter and I try to re-tweet the good stuff. You should probably follow me there. If you did something to make comics better this week then high-five!

    Your best pal ever,

    Shannon Smith

    p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
    p.p.s. Let's pretend we went to high school together on facebook.
    p.p.p.s. Google + is another place you can read the same thing I posted here.
    p.p.p.p.s. I'll tumblr for ya.

    06 January 2013

    Other Comics News Parade-O-Links 01062013

    (Chris Ware covering The New Yorker stolen from the The New Yorker.)

    Here are some things I found interesting in the world of minicomics, comic books, graphic novels, small press, self publishing, zines, webcomics, cartoons, digital comics, other, etc. during the week ending 01062013:

     "This has been a struggle in comics. You deal with a lot of different egos, not only egos but failings of human character and behavior. It's a real struggle to uplift. The people that I try to uplift... I'm not some kind of cop, or a superhero, trying to make people better. I care about people, I care about my community, I care about comics way too much to focus only on myself. We live in this curious time right now, we have the DIY tools to only care about yourself, to only pimp yourself, to only hype yourself and your work. I spend an inordinate amount of time hyping other people, basically curating a life of my influences, the things that I like."  -Dean Haspiel.

    (Image stolen from Rob Ullman.)
    • Some lucky kids got to go check out some Jack Davis art at the Georgia Museum of Art.
    • Congratulations George Lucas.  You sell off Star Wars, give the money to charity then get engaged to a  lovely lady 20 years younger than you and filthy rich.  You have won. 
    • Cavemen were super into animation.   Personally, I think it is more likely that they were just drawing a full and literal impression of what the creatures did.  Kind of like that thing Grant Morrison talks about how if you did all the same drugs he did you could see your whole past trailing behind you all the way back to the big bang.  Or something. 
    • Every once in a while we have to remember to go see what Jeff Bridges has been drawing about lately
    • Robert Newsome's talking and music podcast went up a day late this week and in the 24 hours or so that I had to wait I almost ended it all thinking it would never happen.  Now I know how your dog feels every time you leave the house.  But high five Robert because it was literally the only weekly podcast I listen to that managed to go up this week.  Sad week for ears.
    (Here is a pic of Brad McGinty and Josh Latta just because I love those jerks.  Stolen from Josh Latta's facebook.)
    THE BEST SINGLE NEW PRINT COMIC I READ THIS WEEK...
    (Image stolen from ComicVine.)
    ...was not Avenging Spider-Man #15.1.  That comic is just re-cap and filler behind a cover that hopes to cash in on The Amazing Spider-Man #700 hype.  Nothing in it moves the story or the character and it is really weird that the 1st in continuity appearance of the new Superior Spider-Man would happen in a tossed off point one comic.  It also was not Superman #15.  What a stinking mess.  I really was liking the Scott Lobdell and Kenneth Rocafort team on Superman but now they are stuck in a damned crossover.  Which sums up where the New 52 is in the early stages of its second year- death by editorial mandate.  The best comic I read this week could have been Batman Incorporated #6.  Another good Batman comic from Grant Morrison and Chris Burnham but the story does not move very far.  Batman fights his way through a Game of Death building while exposition is shouted at him through and intercom or something.  Good comic but no, I'll give the edge this week to All-New X-Men #5 by Brian Michael Bendis, Stuart Immonen and a whole bunch of other people.  This comic has been a lot of fun so far.  Everything I want in an X-Men comic.  Most of the characters I'd want and all the X-Men drama an X-Men comic needs.  Bendis is perfect for this people.  Dialog on top of dialog is what he is and that is what the X-Men have been since Claremont's best days.  Duh.  Of course he would nail this.  And Immonen is doing some really great work.  So good that you can actually figure out what is going through the 100 shades of brown the colorist is covering all the art with.   And the amazing thing is that this comic has a story.  Original X-Men in the current X-Men world is such a simple and obvious idea that it is great.  But forget all that, the reason that this comic is the single new print comic that I read this week is because, finally, finally, Kitty Pryde gets her moment.  SPOILER  Kitty Pryde being the mentor to the original X-Men in the current X-Men world is a great comics idea.  And I'm telling you people, Kitty Pryde is the most important X-Man of them all.  Seriously.  I will fight you. 
    • And finally...he got that ass whippin' straight out of Burke county. 
    Oh, and one more last thing!  Did you know you can leave comments on these posts here at file under other?  It's true!  And, I'll probably respond.  Twitter and facebook killed the message boards but that's no reason why you can't argue with me, praise me or leave me recipes.  It's your intronet.  Have fun!

    And that's just a taste of some of the interesting things going out there in the wonderful world of comics and things. I can't keep up with it all but I do keep up with a lot of it on twitter and I try to re-tweet the good stuff. You should probably follow me there. If you did something to make comics better this week then high-five!

    Your best pal ever,

    Shannon Smith

    p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
    p.p.s. Let's pretend we went to high school together on facebook.
    p.p.p.s. Google + is another place you can read the same thing I posted here.
    p.p.p.p.s. I'll tumblr for ya.