Blogger Widgets
Showing posts with label Karen Berger. Show all posts
Showing posts with label Karen Berger. Show all posts

09 December 2012

Other Comics News Parade-O-Links 12092012


(Best comic cover ever?  Image stolen from Diversions of the Groovy Kind.)

Here are some things I found interesting in the world of minicomics, comic books, graphic novels, small press, self publishing, zines, webcomics, cartoons, digital comics, other, etc. during the week ending 12092012:

"AMC made a serious play for DMZ but DC Comics is not interested in seeing a DMZ TV show, it seems, as this was just one of many great opportunities they shut the door on. It makes no sense for me or my agent, or anyone else, to invest time in trying to adapt my Vertigo work. It’s just not going to be allowed. It’s tough for me to accept that, but I have, and that’s the biggest reason The Massive is not a Vertigo book. It’s a real shame, because something like that can really change a creator’s life, and that of his or her family’s." -Brian Wood.

  • "Ultimately it shows the retail community that, all of their pretty words to the contrary, DC Entertainment really doesn't care about any of our businesses. DC Comics, under Paul Levitz, always and unflinchingly had our backs, but that left us 38 months ago when Paul was removed from the company.  In that time, DCE has abandoned most of the policies that made it a great publisher in the first place -- walking away from creators (like Alan Moore's wishes on "Before Watchmen"), from imprints (the slow Warner's strangulation of Vertigo appears to have finally chased out Karen Berger), and now from the Direct Market."  Brian Hibbs on the past few weeks of Time Warner/DCs jerk bag shenanigans.
  • Speaking of Karen Berger skipping out on jerk town
  • So maybe we should all just support indie comics instead.  Right?


BEST NEW PRINT COMIC I READ THIS WEEK
(Image stolen from iFanboy.)
...was as hard one to chose but I'll go ahead and go with Action Comics #14 by Grant Morrison, Brad Walker, Rags Morales, Sholly Fisch, Chris Sprouse and a whole bunch of other people.  All-New X-Men #3 was solid but I hate Marvel's colors so very very much.  Avengers #1 was awful.  Just awful.  Green Arrow #15 was okay.  Animal Man #15 was solid but I'm way past ready for this whole B list super hero crossover thing to be over with.  I even picked up Arrow #1 which is a tie-in with a TV show I have not even seen.  What?  I like Mike Grell.  Deal with it.  But yeah, Action Comics was better than all of those.  So, throughout this whole Grant Morrison Action Comics thing, the art has been a mess.  It has ranged from wretched to wonderful.  This issue is in between.  Over a year into this thing Morales and Walker have finally gotten close to settling on one face for Superman.  Close.  Not there.  Close.  And the story is all over the place.  And the stories in these things have been all over the place all along.  Grant Morrison non-linear storytelling gone off the rails.  Or, maybe not so much.  Maybe it has all been a part of Morrison's master plan.  Or maybe, he decided that since he's leaving the book he'd better figure out a way for the thing to make sense before he leaves.  And, that way is the 5th dimension.  See, the bad guy, who has been the secret bad guy since issue #1 (and who is totally not  Mxyzptlk) has been attacking Superman throughout multiple times and space.  Which, has been confusing.  But it has allowed Morrison to tell a much wider ranger of Superman stories than he normally could have in 15 issues.  It's like having 30 or so random stories from the Silver Age thrown together in no particular order.  And when your multiple art teams can't even make the character's faces look the same from one panel to the next, it can be a challenge getting the reader to go along on that roller coaster ride.   It's been an insane mess but I like it and now, without a safety net, Morrison is trying to bring it all together.  In this issue in particular we get a lot of neat things.  We get to see Harry Potter Clark Kent and Hermione Lana Lang go to the prom. We get Superman in a crazy Days of Future Past world.  We get Superman have a nice long heart to heart with Space Aunt May.  And best of all (and this is why this is the best new print comic I read this week) we get the secret origin of Mister Mxyzptlk.  And in the back up story we get another solid Sholly Fisch re-telling of that same Mxyzptlk story all over again but with better art.  Sholly Fisch is solid folks.  Have I told you about The All-New Batman The Brave and The Bold.  And Chris Sprouse does a nice job as well.  And... the colorists get to use more than just brown and grey which makes this better than every comic Marvel has published since, what, Civil War?
  • And finally... Francis walks us through the new You Tube changes.  Apparently, You Tube would prefer if we never watched videos on You Tube again.
Oh, and one more last thing!  Did you know you can leave comments on these posts here at file under other?  It's true!  And, I'll probably respond.  Twitter and facebook killed the message boards but that's no reason why you can't argue with me, praise me or leave me recipes.  It's your intronet.  Have fun!

And that's just a taste of some of the interesting things going out there in the wonderful world of comics and things. I can't keep up with it all but I do keep up with a lot of it on twitter and I try to re-tweet the good stuff. You should probably follow me there. If you did something to make comics better this week then high-five!

Your best pal ever,

Shannon Smith

p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
p.p.s. Let's pretend we went to high school together on facebook.
p.p.p.s. Google + is another place you can read the same thing I posted here.
p.p.p.p.s. I'll tumblr for ya.

05 December 2012

Into the Supercontext part 14: Absolute Vertigo


(Image stolen from DC database.)

Absolute Vertigo
A 1995 DC Comics Vertigo anthology comic edited by Karen Berger.
Cover art by Glenn Fabry, Richard Case and Phil Winslade. 
Featuring comics from a whole bunch of people including a King Mob story by Grant Morrison and Duncan Fedrego. 

Now that we are through the first year of The Invisibles, let's take a stroll around the scenic view of the Vertigo comics imprint and look at this Absolute Vertigo thing.  This comic is basically just a preview book of new and exciting comics that no one had ever herd of yet like Preacher, and Ghostdancing.  (The first ever printed appearance of Preacher for those keeping score.)  It is the kind of thing  Marvel often does for free now.  But DC charged 99 cents and the main selling point was that it included a new Invisibles comic.

The Invisibles comic in question is a short King Mob story.  This is a solo story and gives us a look at what a crazy time traveling super spy assassin like King Mob does when not on some mission with the team.  Mob receives a weird fetish doll in an Invisibles drop box.  So, naturally, he takes it to a fetish shop to see what's up.  He meets up with a nice dominatrix lady named Joni.  She examines the doll.  Turns out that it is a kind of voodoo doll bomb and if Mob does not figure out the correct sigil to reverse it, the thing will kill him.  This plot really just serves as and excuse for Duncan Fegredo to draw Mob driving around looking bad ass in that super trashy Duncan Fegredo style.  So very 90s cyber punk.  And a lot of fun to look at here years removed.

Mob seems some raving conservative blow hard on TV ranting about controlling the masses.  He realized it was the same guy that dominatrix Joni had been beating earlier.  The hex was put on him by Joni for the dirty rich white dude.  Oh, dirty rich white dudes are the worst?  Realizing the betrayal, Mob returns to the fetish shop and murderates Joni.  There on the wall in a patter of her blood he sees the reverse sigil he had been looking for.  He puts the sigil on Joni's head and reversed the hex back on the dirty rich white dude.  Justice!  Horrible, bloody, fetish shop justice.

This is as good a time as any to mention this comic's editor Karen Berger as a driving force behind Vertigo comics and therefore, at least in some way, The Invisibles.  It was recently announced that Berger is leaving the Vertigo brand.  This write up at The Beat is worth a look.  Although, I argue against the idea that Vertigo is unnecessary now.  Maybe it is not necessary to comics but I do think it is necessary to DC/Time Warner comics.  They still need a place for creator owned comics because if they don't have one, their top talent will place their creator owned books elsewhere.  And while DC/Time Warner may not care about their silly little creator owned comics I think they should care about their top talent becoming happier at a different publisher.

Speaking of which, I hear that young upstart writer Grant Morrison has a new comic at Image these days.

Your best pal ever,

Shannon Smith

p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
p.p.s. Let's pretend we went to high school together on facebook.
p.p.p.s. Google + is another place you can read the same thing I posted here.
p.p.p.p.s. I'll tumblr for ya.