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Showing posts with label Pat Lewis. Show all posts
Showing posts with label Pat Lewis. Show all posts

03 February 2013

Other Comics News Parade-O-Links 02032013

(Kickers Inc. #4 1986.  Image stolen from Comic Vine.)

Here are some things I found interesting in the world of minicomics, comic books, graphic novels, small press, self publishing, zines, webcomics, cartoons, digital comics, other, etc. during the week ending 02032013:

"I don’t know about you, but I’ve decided enough is enough. Everyone tells me social media has the potential for creating social change never seen before in human history. Okay, then I’d like to test it by seeing if social media can cut off the flow of money from DragonCon to accused child molester (and the convention’s co-owner) Ed Kramer, who has been using the 150K+ a year he receives each year from DragonCon to avoid trial and manipulate the justice system to allow him free reign to prey upon children, even while under supposed house arrest. All you have to do is publicly declare you will never attend DragonCon again as long as Edward Kramer profits from the convention."  -Nancy A. Collins. 

  • Happy Superbowl Sunday everybody!  I hope that as we all pull our guts up to the Bonanza super bar of shiny new television commercials, with a small helping of football for desert, we will all remember the true spirit of Superbowl; smashing one another's heads in all for the love of points.  Points everybody!  Just like money but worthless!  Personally, I love the American tackle football.  Like the great Al Bundy, I served my country playing high school football.  I remember it well.  Mainly due to the concussions and a knee that alternates between discomfort and pain 24 hours a day.  Football!  But the Superbowl is most often the worst football game you will see in any given year.  This late in the season most of the best players can barley walk and the starters are determined by which guys are not seeing double at gametime.  So maybe the commercials really are the best part.  Personally, I'm hoping to see this commercial staring Francis.  From what I've heard, Volkswagen chose a lame commerical where a white actor dude speaks Rasta instead.  But maybe during the pre-game show or somewhere in the evening we'll get to see Francis and all our favorite YouTube stars on our big flat screen TVs because the last thing I want to see on my television is professional actors.   (Apparently, the Francis version aired during American Idol this week.  That ain't bad.  I reckon a few people still watch that show.)  Anyway... Go Steelers!
  • And don't worry everybody.  Francis may be a celebrity now but he's still angry.  Never sell out Francis!
  • So that Paperman cartoon there sure made a lot of people blow a load.  It's alright I guess. I wouldn't call it a "groundbreaking technique that seamlessly merges computer-generated and hand-drawn animation techniques" or anything.  Seamless is not a word I'd use.  Groundbreaking?  I mean, you people are aware of Miyazaki and Studio Ghibli right?  Don't get me wrong.  The cartoon is nice.  I like the part where Aladdin sits down beside the kid with the balloon.  I just think some of us spend so much time watching movies with video game animation that we feel like we've seen the face of God when we see moving line art. 
  • Alec Longstreth on not going to Angouleme. (I don't know how to do those triangle letter hat things.) 
  • Bart Beaty on yes going to Angouleme.  (I can't even pronounce it.)
  • Hey everybody, won't you just shut up and go read this interactive experimental flash comic thing Pat Lewis drew for Mark Waid's website.  Super cool. 
  • Holy cheese biscuits.  Go look at what Brad McGinty drew. Brad done did it again! 
  • How much of your life have you spent lying around wishing Morrissey would beat the crap out of Robert Smith?  All of it?  Well here ya go.  Courtesy of Josh Latta.  He lives to serve. 
  • People.  Last week, professional wrestler and WWE Champ CM Punk was forced to hand over his belt to a B movie actor.  It sucked.  There was never a doubt in my mind that it would not happen, but it still sucked.
(I think it's A-Okay to laugh at Macaulay Culkin and his pals because I'm positive they are laughing at all of us.)
THE BEST SINGLE NEW PRINT COMIC I READ THIS WEEK
(Image stolen from DC database.)
...is on hiatus because I did not read any new comics this week.  The comics shop nearest video came store that happens to sell comics is on the other side of a snow and ice storm from my house.  The weather is so bad that I could have gone to watch live professional wrestling Saturday and did not.  Ice people.  Ice.  My feet are cold.  I did read a 100 or so pages of volume one of the DC Showcase Presents The Brave and the Bold though.  And it is great.  These comics are written by Bob Haney and he is crazy.  Crazy!  This is a book that features Metamorpho and the Bat-Hulk and neither of those are the strangest things in it.  Get this.  There is a story in here where Batman has emotions about a woman.  A woman people!  Crazy man.  Crazy.
But hey.  Just because I did not make it to a comics shop and I don't have any plastic money for Comixology at the moment does not mean we can't talk about a new comic.  Here, go read this.  Dave Cooper everybody.  Actually, I think that comic is from last year sometime but who cares?  I promise you it's better than anything you could have found in a comic shop this (or almost any) week.
  • And finally... My favorite Superbowl was the one where The Incredible Hulk murdered the Chicago Bears.
Oh, and one more last thing!  Did you know you can leave comments on these posts here at file under other?  It's true!  And, I'll probably respond.  Twitter and facebook killed the message boards but that's no reason why you can't argue with me, praise me or leave me recipes.  It's your intronet.  Have fun!

And that's just a taste of some of the interesting things going out there in the wonderful world of comics and things. I can't keep up with it all but I do keep up with a lot of it on twitter and I try to re-tweet the good stuff. You should probably follow me there. If you did something to make comics better this week then high-five!

Your best pal ever,

Shannon Smith

p.s. Say you want a leader but you can't seem to make up your mind. I think you'd better close it and let me guide you to my twitter feed.
p.p.s. Let's pretend we went to high school together on facebook.
p.p.p.s. Google + is another place you can read the same thing I posted here.
p.p.p.p.s. I'll tumblr for ya.

02 February 2011

fuo's favorite minicomics of 2010

When I started file under other in 2007 it was mostly about minicomics.  Gradually webcomics, graphic novels and other stuff worked their way in.  In my 2009 "favorites" list I went through a long list of cartoonists whom I was impressed with during the year as opposed to focusing on just the individual works.  I liked that format a lot and I'd like to do it again this year but, it took a lot of time.  And, to be honest, if I did the same list this year, the names would be mostly the same.  So, in the interest of catching up on reviews, I'm going to just stick with a few of my favorite mincomics this year.

As I've said over the past few years, I don't think the word "best" has any place in art criticism.  Certainly, some things are clearly better than others but it's not my place to decide for the reader.  All I can honestly do is let you know what effect the work had on me.  What follows are the minicomics which had the most impact on me.  The ones I thought about the most.  The ones I enjoyed the most.  And mainly, the one's I re-read the most.

Cragmore by Pat Lewis.
Books one, two and three. 

Cragmore is a story by Pat Lewis about a billionaire trying to cheat death and the Devil.  Lewis is currently working on getting the complete graphic novel out there but I was lucky enough to get the first three fourths or so of the story in minicomic form.  I think you can still get the minicomics at Lewis' store.  You could hold out for the graphic novel but why not just buy it in both formats?  I mean, you're rolling in dough right?  
As far as minicomics go, these first three issues are just about perfect.  Lewis' comics chops are on the money.  Writing, drawing, inking, lettering, layouts, pacing, timing, physical comedy... he's got all that down.  I'm a big fan of his design style.  Not just the character designs, which are brilliant, but the backgrounds, clothes, sound effects etc. etc.  Lewis creates a full cartoon world here made up of all the coolest elements from the cartoons I loved when I was a kid.  When I pick up one of his comics I immediately know the world he's building and I feel right at home in it.  I think a big part of the reason I've carried these comics around with me for months and re-read them several times is that he builds a complete world you can escape in.  
There are no holes in the thing, or to put it another way, Lewis does not take any shortcuts.  All of the characters are fully realized and work off each other with much hilarity.  Even the supporting cast and extras are very interesting.  One of my favorite scenes is actually a conversation two extras have about the Cragmore character.  
Lewis' writing is so sharp.  The concept is great.  A billionaire jerk develops a way to cheat death so the Devil himself sets out to stop him.  Greed vs. Evil to the death!  Oh, and special guest star, God!  It's gonna make a great graphic novel.

A Rabbit in King Arthur's Food Court: A Rashy Rabbit Adventure by Josh Latta.

This sixth Rashy Rabbit minicomic from Josh Latta is probably the most solid minicomic from cover to cover that I read in 2010.  Great cover.  Great look.  Great feel.  Great comics inside.  Packed with so many great gags.  I think it is Latta's most ambitious and best executed book so far.  I've re-read the thing a bunch of times since my original review and I always catch something extra in it.  There is a whole shopping mall of neat looking background characters in the thing.  I could stare at the thing for hours.  And I have.  

Mazed and Confused (Or The Minotaur And The Labyrinth) by Brad McGinty

I just re-read my review of Mazed and Confused and I can't think of much else to say about it.  Simply put, it's bat poo crazy comedy genius.  I got two new minis from McGinty in 2010.  Mazed and another one called Fast Food Feud.  I'll review Feud sometime soon I promise.  Feud is probably a better minicomic as far as craft goes but Mazed and Confused is so absurd that I can't stop thinking about it.  Almost every line of dialog in every panel is cough up a corn dog hilarious.   There is a panel where where Zeus says to a minotaur and the guy who came to kill the minotaur, "Later Bro-Doggers!"  If you don't think that's funny then I really can't help with whatever is wrong with you.  Maybe being happy just ain't your thing.

The Enquirer Dharbin by Dustin Harbin

The Enquirer Dharbin is a full color newspaper.  Now, you may be thinking, 'hey, that's not minicomics!'  You would be wrong.  It's self-published, self-distributed, smallish print run and totally not a standard pamphlet comic or graphic novel.  That's minicomics enough for me. 
As I detailed in my original review, Enquirer Dharbin is about the size of a standard newspapers' Sunday Funnies supplement.  One of the great things about that format is that it is super thin and fits perfectly in my laptop case.  I've carried this thing around with me for six months.  I've read it and re-read it and wore it out and I find it enjoyable each time.  Harbin is playing around with styles in this thing so there is a lot of variety.  Several great strips to choose from and read over and over.  And I have. 

Nathan Sorry No. 1 and No. 2 by Rich Barrett

Nathan Sorry is a graphic novel work in progress being presented as an ongoing webcomic as well as minicomics. 
That's a great strategy.  Build the readership while you are working on the thing.  Work out some of the bugs in front of a test audience.  Minicomics are so great for that sort of thing.  (Remember those Pat Lewis minis I was talking about?)  But let's pretend I don't know anything about all that and just look at these two minicomics Mr. Barrett was kind enough to send in.  
They are not perfect.  There are a lot of clumsy spots.  Clumsy spots in the drawing especially when perspective comes into play.  Some style choices I'm not too fond of.  Especially in the lettering and balloon placements.  It looks like a Brian Michael Bendis comic in spots.  Which is to say it has panels over crammed with balloons.   But I'm just nitpicking. The storytelling is ambitious and Barrett is working his way through some tough stuff in here.  (Making comics is hard yo.)  
Despite the clumsy moments, I really like Barret's drawing.  Especially his faces.  There is a lot going on behind the eyes of each character.  And I like the style of it a lot.  Lots of tones.  The drawing is clean but the inks are rough enough to give it some edge.  And the characters need that edge.  The cast is damaged goods.  They each have a lot of depth and more questions than answers.
The story is a clever twist on the wrong man idea.  Nathan Sorry was supposed to be in the World Trade Center on 9/11 but he ends up assuming a dead man's identify and making off with his millions.  The story is clever. Barrett does a nice enough job teasing the little mysteries behind the characters that I was easily caught up in the thing.  I'm not that big on mystery or drama but I like it best in short installments.  All the fun is in the the unknown with this sort of thing and Barrett knows how to keep you guessing.  Hitchcock would love this thing. 

So there ya go.  There's 2010 for ya.  Hopefully in 2011 I'll review the hundred or three minicomics that are still sitting here on my kitchen table mocking me before the Aztecs show up and demand their continent back.  Or maybe I'll just keep re-reading the books I mentioned here.  

Later Bro-Doggers!
Your best pal ever,

Shannon Smith

23 June 2008

HeroesCon 2008 Loot.

I didn't have the time or money to do a lot of shopping at HeroesCon but here is a quick look at the minicomics I picked up. (In no particular order other than randomly pulling them out of my bag.)

Abominable and Zombie Trouble by Pat Lewis.

These two minis are fantastic. They are comedy horror stories that use fairly traditional scenarios but are executed in a very original way. Everything about these comics works. The drawing, the lettering, the pacing, the writing... all of it.

Female characters take the lead in these stories and pull no punches against the poor monsters that are dumb enough to threaten them. Lewis' writing is very clever. Just when you think you've seen this horror story before he pulls a fast one on you and leaves you laughing. The dialog is very sharp and the site gags are hilarious.

If I'm not mistaken, these stories are a part of Lewis's new book from IDW The Claws Come Out. From what I saw of the book it looked great and I can't wait to get a copy.


I'm a big fan of Duane's pocket sized minis. In this one his angry little bandit character just wants some dinner but has to deal with a haunted meatloaf that wants to swallow his soul. Like they do... The oddball story has some good laughs but I would enjoy of book of Duane's characters doing just about anything. I really like the look and feel of his character's designs and the world he builds around them. WAP minicomcs are always well produced and pleasure to own.

A bunch of minis from Brien Wayne Powell.
If you are not familiar with Powell's Magnet Man series then you should be. I first met Powell years ago at a HeroesCon and every time I see him he has a new handful of pocket sized minis and they always make me laugh. He's made more than a hundred of the things. For those that have not seen his stuff, Powell makes his minis in a very minimal style. The jokes are usually in the dialog and not the action. The characters don't do a lot but that's half the humor of it. This year's batch includes Magnet Man Minicomics Special #6, Moments of Madness #154, Magnet Mansion Convention Special '08, The Super Cool Cowman's Spectacular Convention Special '08 and Boogie Woogie Man Jimmy Valiant vs. Werewolfman. Special #6 is probably the funniest of the bunch but I like the Boogie Woogie man book because I was a fan when I was a kid and I used to live near his 'rasslin' camp in Shawsville, VA.

Bird-Doggin' and Squirrel by Brad McGinty.

I've been a fan of Brad's comics for a pretty long time and you would think that I would have seen all the tricks in his bag by now but he continues to surprise. Bird-Doggin' is a collection of girlie pin-ups. I expected the drawings to be great but I honestly expected the standard pin-up collection where there is not a lot of difference from each page other than changes of clothing or background. Instead, Brad really mixes it up and shows a lot of versatility.
I expected to see a few homages to different pin-up styles but Brad demonstrates several styles and techniques including a few tricks I've never seen from him before. I think I've read every comic Brad has made but there are honestly a few pages here that if you had told me he drew them before I saw the book I would think you were lying. The work ranges from cute to sexy to psychedelic to scary to disturbing and to beautiful and even has a really nice color section. It's really good looking minicomic and if you are a fan of pin-up art you don't want to miss it. My wife looked at it and said "Brad's going to get rich someday."

Squirrel is a very different kind of mini about a Squirrel who wins a car wash from a car wash ghost but really just wants his nuts to be shiny. As odd as that last sentence was it does nothing to prepare you for how crazy this book is. The title page says that this one was drawn during a slow shift at work. Brad has made several of these little stream-of-consciousness anything goes crazy little humor comics and I love them all. (Powdered Cat still holding the title belt as the funnies thing I've ever read.) Brad would tell you that these comics are rush jobs but they are amazingly effective. Brad honestly told me that this was a comic he made and then forgot all about. I don't' know if it's because Brad has made so many comics at this point or if he just stole more than his share of talent but if everyone's best comics could be as good as Brad's rush jobs it would be a better world.d I've watched brad knock out pages, panels and sketches of amazing quality at amazing speeds in person and I can testify that yes, Brad McGinty can make a comic this good faster than I can make a bed. This comic is so funny it made my wife laugh. That's freaking funny.

The Deadbeat 1, 2 and 2.75 by Jeremy Massie.
This post is going to make it sound like I love every minicomc I see but these Deadbeat comics are also fantastic. I'm really blown away by Massie's work in these things. The art, the tones, the lettering etc. Very professional. Very polished. Very alive and full of motion. The story is a super-hero noir about an overweight washed-up drunk super hero but what really drives the thing is the characters. Each character has their own voice and identity is interesting to watch regardless of the situation.
Massie plays around with a lot of super-hero conventions in the books but he puts a neat spin on things. The dialog and the way the characters react to these conventions is both funny and real. If Massie were only the writer or only the artist on these books I would be impressed but he pulls it all off. I could see this work appealing to a very large audience.

Your best pal ever,
Shannon Smith