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30 June 2008

CANDY OR MEDICINE #3 edited by Josh Blair

Candy or Medicine Vol. 3 edited by Josh Blair.
16 page black and white quarterly minicomic anthology.
Josh Blair is doing an admirable job keeping this minicomics anthology going and it is getting better with each issue. Blair has an open solicitation policy so the quality of material could go either way from issue to issue. Volume three in particular is pretty strong. Not Mome or Kramers Ergot strong but pretty strong for a 16 page mini that sells for one buck in person and a dollar fifty online.
There is a charming and well drawn four pager by Eric Myers (sampled above) and a funny four page gag/adventure story by Colin Tedford. I'm also happy to see a nice one pager from Dan Taylor. There are a couple of juvenile pages that didn't do anything for me but that seems to be a constant in even the best anthologies. Like I said before, a thing like this could go either way. So far it has been on the right track and the quality has been at least strong enough to make me curious about the next issue. I think if Josh put together a best of book once every year or so that it would be a very good minicomic.
Josh also included the FCBD sampler which you can preview for yourself right here. It's not as strong as Vol. 3 but will give you an idea of what Candy or Medicine is all about and it has a fun FCBD themed cover that I like a lot. If you saw me at HeroesCon I may have given you a copy. If I didn't, that was because they were good looking little books and they went fast.
Don't forget that Josh is always looking for submissions. If you've got a few pages lying around or in the works then drop him a line.
Your best pal ever,
Shannon Smith

26 June 2008

Rusty Jordan and Brent Harada's MOULGAR BAG DIGEST


Moulgar Bag Digest by Rusty Jordan and Brent Harada.
Available by mailing $1.oo, a mini or zine to 4564 B, Live Oak Canyon Rd., Laverne, CA 91750.

Rusty Jordan and Brent Harada sent in this fantastic looking little sketchbook zine. The cover has this offset printing thing going on where it looks a bit like a 3D comic looks when you don't have the glasses on. It really plays havoc with your vision. Your eyes can't figure out what to focus on.


The drawings are really fantastic. Crazy psychedelic monsters rendered with a really clean yet complex technique. The drawings are gruesome but are also humorous enough to be charming. It's hard to review a sketchbook other than by saying that it looks good or it doesn't but this book is a neat little thing to be able to hold in your hands. Definitely worth a dollar or a zine trade.

Note: I stole these scans from The Comics Reporter where this book was also reviewed. Pretty lazy of me huh?

Your best pal ever,

Shannon Smith


Mat Tait's LOVE STORIES

Love Stories by Mat Tait.
http://mattait.com/
32 pages. Full color cover with black and white interior pages. Standard pamphlet comic size.
Samples of this book can be seen here.
$10. Email mtait@ihug.co.nz for purchase.




When I pulled this comic out it's envelope I was immediately impressed by the strong cover design. The colors are bright and bold but the drawing and choice of images has a ominous vibe about it. The cover is a neat blend of painterly and digital techniques which would be strong enough if separated but together create an image that is both aesthetically pleasing and a bit discomforting. I won't go on and on about the cover. You can look at it yourself in the pic above. The last thing I'll say about the cover is that it does set the tone for what you will find inside the book.

Love Stories contains five short stories. The themes and storytelling techniques vary but the drawing is very strong and consistent throughout. Tait's style is eloquent and efficient but there is also an edginess to the drawing. It may just be the tight shading lines or the boldness of the inks but Tait's characters exist in a world that seems to want to crush or slice them apart in any given panel. Both the writing and the drawing point to the fragility of life.



It would be wrong (and/or lazy) for me to call this comic "dark". There is darkness but it is very subtle. There is nothing truly horrible going on in any of these stories. It is just that the style makes me feel like something terrible may be waiting in the next panel. The storytelling is too engaging and whimsical to be dismissed something as simple as "dark". The Heading Dog Who Split in Half and Great Historical Disasters are quite charming and funny. Shortcuts to Enlightenment (sampled above) looks the most like a horror story of the bunch but the narrative is a clever parody of horror and self-help plans. Tait's strength seems to be to juxtapose the tone of the image and narrative with what is actually happening just enough to keep you guessing. Even the title is an artistic slight of hand. When I first saw crying face on the cover and read the title, Love Stories, I expected some sort of self-indulgent emo exercise but Tait takes it in a different direction. He is very aware of his reader and seeks to affect them with thoughtful storytelling. He creates a world and makes you feel like you are in it to the point where you skin might crawl just a little. A very clever and engaging work.

Your best pal ever,
Shannon Smith

25 June 2008

Webcomics: PEE WEE SCHOONER by Jamie Cosley

Free webcomic.
I posted a review of Cosley's comic Nobody Likes Tony Pony back in January. I liked the book a lot and I've been seeing his stuff develop and grow both on his blog and on The Comics Journal Message Board's art sharing thread. Jamie's stuff has always made me laugh but I think he is quickly bringing it all together. Stronger backgrounds, more confident and relaxed drawing, more ambitious storytelling. He is starting a new webcomic he will serialize on his blog. I'm excited to follow it and see how it develops. I love space adventure/comedy stuff and this looks like it should be fun.
Your best pal ever,
Shannon Smith

23 June 2008

HeroesCon 2008 Loot.

I didn't have the time or money to do a lot of shopping at HeroesCon but here is a quick look at the minicomics I picked up. (In no particular order other than randomly pulling them out of my bag.)

Abominable and Zombie Trouble by Pat Lewis.

These two minis are fantastic. They are comedy horror stories that use fairly traditional scenarios but are executed in a very original way. Everything about these comics works. The drawing, the lettering, the pacing, the writing... all of it.

Female characters take the lead in these stories and pull no punches against the poor monsters that are dumb enough to threaten them. Lewis' writing is very clever. Just when you think you've seen this horror story before he pulls a fast one on you and leaves you laughing. The dialog is very sharp and the site gags are hilarious.

If I'm not mistaken, these stories are a part of Lewis's new book from IDW The Claws Come Out. From what I saw of the book it looked great and I can't wait to get a copy.


I'm a big fan of Duane's pocket sized minis. In this one his angry little bandit character just wants some dinner but has to deal with a haunted meatloaf that wants to swallow his soul. Like they do... The oddball story has some good laughs but I would enjoy of book of Duane's characters doing just about anything. I really like the look and feel of his character's designs and the world he builds around them. WAP minicomcs are always well produced and pleasure to own.

A bunch of minis from Brien Wayne Powell.
If you are not familiar with Powell's Magnet Man series then you should be. I first met Powell years ago at a HeroesCon and every time I see him he has a new handful of pocket sized minis and they always make me laugh. He's made more than a hundred of the things. For those that have not seen his stuff, Powell makes his minis in a very minimal style. The jokes are usually in the dialog and not the action. The characters don't do a lot but that's half the humor of it. This year's batch includes Magnet Man Minicomics Special #6, Moments of Madness #154, Magnet Mansion Convention Special '08, The Super Cool Cowman's Spectacular Convention Special '08 and Boogie Woogie Man Jimmy Valiant vs. Werewolfman. Special #6 is probably the funniest of the bunch but I like the Boogie Woogie man book because I was a fan when I was a kid and I used to live near his 'rasslin' camp in Shawsville, VA.

Bird-Doggin' and Squirrel by Brad McGinty.

I've been a fan of Brad's comics for a pretty long time and you would think that I would have seen all the tricks in his bag by now but he continues to surprise. Bird-Doggin' is a collection of girlie pin-ups. I expected the drawings to be great but I honestly expected the standard pin-up collection where there is not a lot of difference from each page other than changes of clothing or background. Instead, Brad really mixes it up and shows a lot of versatility.
I expected to see a few homages to different pin-up styles but Brad demonstrates several styles and techniques including a few tricks I've never seen from him before. I think I've read every comic Brad has made but there are honestly a few pages here that if you had told me he drew them before I saw the book I would think you were lying. The work ranges from cute to sexy to psychedelic to scary to disturbing and to beautiful and even has a really nice color section. It's really good looking minicomic and if you are a fan of pin-up art you don't want to miss it. My wife looked at it and said "Brad's going to get rich someday."

Squirrel is a very different kind of mini about a Squirrel who wins a car wash from a car wash ghost but really just wants his nuts to be shiny. As odd as that last sentence was it does nothing to prepare you for how crazy this book is. The title page says that this one was drawn during a slow shift at work. Brad has made several of these little stream-of-consciousness anything goes crazy little humor comics and I love them all. (Powdered Cat still holding the title belt as the funnies thing I've ever read.) Brad would tell you that these comics are rush jobs but they are amazingly effective. Brad honestly told me that this was a comic he made and then forgot all about. I don't' know if it's because Brad has made so many comics at this point or if he just stole more than his share of talent but if everyone's best comics could be as good as Brad's rush jobs it would be a better world.d I've watched brad knock out pages, panels and sketches of amazing quality at amazing speeds in person and I can testify that yes, Brad McGinty can make a comic this good faster than I can make a bed. This comic is so funny it made my wife laugh. That's freaking funny.

The Deadbeat 1, 2 and 2.75 by Jeremy Massie.
This post is going to make it sound like I love every minicomc I see but these Deadbeat comics are also fantastic. I'm really blown away by Massie's work in these things. The art, the tones, the lettering etc. Very professional. Very polished. Very alive and full of motion. The story is a super-hero noir about an overweight washed-up drunk super hero but what really drives the thing is the characters. Each character has their own voice and identity is interesting to watch regardless of the situation.
Massie plays around with a lot of super-hero conventions in the books but he puts a neat spin on things. The dialog and the way the characters react to these conventions is both funny and real. If Massie were only the writer or only the artist on these books I would be impressed but he pulls it all off. I could see this work appealing to a very large audience.

Your best pal ever,
Shannon Smith

09 June 2008

Bring your minis to HeroesCon.

Attention collective minicomic creators of planet earth: Bring me your minicomics at HeroesCon Sat. June 21 and/or Sun. June 22 and I will review them here at file under other. (Yeah, I know a lot of people brought me minis at Fluke and I still have not covered them but I was a full time college student at the time. I'm through with school now so I should start getting caught up after Heroes.) I strongly suggest that indie comics fans and minicomics creators make the trip to Charlotte and check out Indie Island. The guest list is amazing and the show has always been indie friendly. I hope to see a lot of you there.

Your best pal ever,
Shannon Smith

01 June 2008

SHIOT CROCK 12 (slight return) edited by Karen Lucas


"What is Shiot Crock? Basically it is a collection of comics and other items from artists around the planet. The works are collected and distributed to all the contributing artists and a few critics for review and enjoyment. Each contributor is expected to check out all the material in the project and then post reviews at The Comics Journal's message board. " - from my review of Shiot Crock 11.


I have reviewed Shiot Crock 11 and 13 here at file under other but Shiot Crock 12 seemed to be destined to exist as the rocket firing Boba Fett of minicomics. It was something many people believed to have existed but very few could show any evidence of. Without getting into the sordid details of the thing I will just say that the original version of Shiot Crock 12 never made it's way into my possession I did not expect to ever see it with my own eyes. Enter Karen Lucas who managed to track down most of the contributors and pull together what copies did exist and order re-prints of missing parts and assemble the whole thing into the great big giant book I'm about to review. Karen Lucas should be given some sort of minicomic editor of the year award for this feat. Just stepping up to the challenge was quite impressive but actually pulling it off is some sort of miracle.

The book looks really great. Lucas had to re-format most of the individual minicomic submissions to make them fit in one book and the way she did it looks really cool. A couple of entries had to be placed in plastic sleeves where you pull the little comics out and that gives it this really neat playfulness like those scrapbook coffee table books you see around the holidays (Elvis, Dylan, that Marvel Vault book, etc. you know you've seen them at Borders and B&N). There is a really nice splash page and clever back cover by contributing creator Michael Klopner and it even came with some very nice postcards, a pack of seeds and a little rubber bunny. It's the poor man's McSweeneys.

This Crock is huge. The biggest I've seen with a lot of really nice comics. Since SC 12 was originally a disaster, some of the comics were re-submitted for SC 13 and have already been reviewed. The comics are reviewed here in the order in which they appear in the book. I apologize for not having the time to scan and post art from every single submission. There is no real reasoning as to which comics I posted art for and which I didn't other than just flipping through the thing in the wee hours and scanning some stuff that caught my eye. If I've left you out, send me your latest mini and I'll review it to make it up to you. (Yeah, that's right, I make up for my laziness my making you send me more comics. And Dave Sim thinks he's the evil genius.) I appologize for the quality of the scans. The book is so big I probably would have had to just rip the spine in half to get any good scans. So, without further doo doo...



The Sketchpile by Danno Baker.
It is what it says it is; a bunch of sketches. Not sure how to review them other than to say he draws well, the sketches are cool and if I still rode my skateboard that I might want a sticker of his Mushroom People on it.

Kurt Beaulie's Crazy Huge Breasted Street Lesbians.
That's not the real title of this entry. I think it is untitled but if it needed a title it may as well be called what it is. I've talked about Kurt's comics in previous Shiot Crock reviews. I love his character design and when the comics make sense they are funny and captivating. This story makes sense and has more plot than some of his other stuff I've seen. If he ever collects all these Crazy Huge Breasted Street Lesbians stories in a book I'll buy it.

Kids These Days by Mark Campos.
Campos displays some really lovely drawing in what seems to be a bit of a tribute to Beatrix Potter with with a pretty funny punchline. I really like Campos' drawing and he pulls off the Potter style with ease. This entry is very nicely formatted. It is a minicomic mounted on an illustrated card stock page for easy assembly with the rest of the book.



We Need to Talk by Adam Casey.
I've mentioned Casey here before when I had him on my best of 2007 list. This entry is a four pager that is part relationship gag and part excuse to make space drawings. I like the relationship gag and I love the space drawings. Casey is very adept at breaking things down to their basic iconic image. I'd love to see him do a Silver Surfer comic. Just page after page of cool poses and wacky space backgrounds.

A Flame Expelled by W. Craghead III.
This is pretty much just an illustrated poem. Neither the poem nor the illustrations do much to get me excited.

Friends by Mike Eager and Dave Bradbury.
Another illustrated poem. Not much there. It's just one page long containing a couple of nicely inked angry faces.

Untitled stuff by Cory Fuka.
This entry is part sketchbook entries, part comics and part altered photos. None of it seems to be finished. The sketches are of a baby faced girl with porn star boobs. There is an almost funny page of comics that seems to be about half drawn. There is a page of t-shirt slogan ideas. The two pages of altered photos are the type of thing I would have thought to use as rock show flyers back when I was in college but looking at them now, as a thirty-four year old geezer, are meaningless to me.

This is Still America by George.
This is probably the most ambitious entry in this Shiot Crock. At twenty pages it is longer than most of the pieces I've seen in a Shiot Crock and the story covers a lot more physical and emotional ground than most indie comics of it's length. George's design style is very minimal but each panel is very full. He is creating a well realized and consistent cartoon world here in much the same way Jon Porcellino does in King Kat. Not to say that the style is simple. He is just using a lot of white space and relying on movement rather than a lot of shading. This kind of drawing is a bit challenging for me to follow at times. I really have to study each panel to understand where I am in the narrative. The story jumps around throughout the character's life and dreams and I had a little trouble following it but the emotions are on the nose. There are some great scenes from the main character's childhood full of fighting and crying. I guess part of what confuses me about it is that the main character looks about the same as an adult as he does as a child. I get the feeling this is part of a larger work (I could probably Google and find out) and I like this enough to want to see the rest.

The Uncanny Duckbear by Ian Harker.
This comic looks and reads just like the title would make you imagine it would. It's packed with jokes and violence. Rabbits beating up emo kids. A robot snow man. Drunk dinosaurs and zombies. And did I mention the violence. I like this comic a lot. It's the exact kind of oddball thing that every anthology should have at least one of. It looks like it was a lot of fun to draw.

MoNo 2099 by Cheese Hasselberger.
Speaking of dinosaurs. Hasselberger provides six well drawn pages of random absurdity. A naked couple deliver their baby in the desert and are promptly attacked by a flying shark which is promptly attacked by a talking dinosaur. What's not to love about that? I mean, really, what more could you ask from six pages of comics?
Note 2 Self by J.M. Hunter.
This item was already reviewed as a part of Shiot Crock 13.
Red Eye, Black Eye by K. Thor Jensen
This is an excerpt from Jensen's graphic novel of the same title published by Alternative. If the original editor had successfully delivered the original Shiot Crock 12 to me within a reasonable time frame I this would have been a preview of the graphic novel and might have encouraged me to buy it. None of that happened. The pages sampled here look pretty good. The drawing and panel composition have the feel of a good newspaper strip and the beats are pretty funny. Each three panel group almost works as it's own gag. I've enjoyed every book I've ever bought from Alternative so I'm sure this book is worth a read.

Lonely by Jess Johnson.
Three pages of interesting psychedelia. If there is a story or a point to it I can't make it out. Nice looking pop art though. Several panels would look great on velvet in the black light room of your friendly neighborhood head shop.

Triomphe L'Oeli by Gavan Kiazawa.
This is sort of an illustrated poetic thingamajig about Kim Jong-Il's eyelash. I can't figure out if it is supposed to be a serious commentary on war and/or consumerism or if it's just supposed to be a joke. In short. I don't' get it.

Super-Heroes in Their Underpants by Joe Kletz.
This is an example of the neat kind of things you will find in a Shiot Crock that you are unlikely to find anywhere else. Kletz provided five index sized printed cards with illustrations of super-heroes in their underpants. It's exactly what it sounds like. One would think that I would be old enough to have outgrown the impulse to laugh at a drawing of Spider-Man in boxers but apparently, I am not.

True Candy by Klopner.
I really, really like these comics but I already reviewed them as a part of Shiot Crock 13.

Hauser and Hawking in Attack of the Space Pope by Rich Koller.
If hastily drawn obscene Terrence and Phillip level humor is what you want in your comics then Koller is your man. The idea of a Space Pope is funny to me but this comic isn't.

The Twins by Chris Kuriata.

This is a longer piece and would be a nice standalone minicomic. Kuriata's drawing and storytelling remind me a bit of Lynda Barry. In the story the main character, Sandra, has ill feelings after her friend has sex with her brother. The friend, named Sara McVowell, is an actress with just enough success to show up on television and haunt Sandra. It's a really interesting story and I like Kuriata's matter of fact style of handling the dialog and situations. McVowell is such an odd name that I can't help but wonder about a link to Sarah Vowell. This story has stuck with me more than any other in the book. I'd love to see more.

I Was Orwell's Dentist by Dan Lester.
I like Dan Lester's oddball comics but this two page story left me confused. I'm not sure if it is supposed to be a serious slice of life bit or a comedy piece. It feels like it may just be two pages from an unfinished work.

Curl Up & Dye by Karen Lucas.
I think I already covered these same pages in my review of Shiot Crock 13. If not, everything I said about the SC 13 entry is mutual for this one.

Fleet Headquarters by Dave McKenna.
This also was already covered in my Shiot Crock 13 review.

Squat Thrust by Mostyn.
I almost think these pages might have some sort of story or point to them. If I stayed up all night and smoked a pound of weed I could probably figure it out. I'm not going to do that. I have children to think about and a job to keep.

It's Delhi Belly by Robertson.
My thoughts on this are almost the same as my thoughts on Dan Lester's story. I'm positive the parts with the doctor and Mr. Hanky are supposed to be funny but the thing is about Crohn's disease so it's not a real laugh riot. I like the economy of Robertson's storytelling. He covers a trip to India and the discovery of the illness in just two pages without it seeming rushed or forced.

The Yellows by Barry Rodges.
Without looking at my own reviews of Barry Rodges in Shiot Crock 11 and 13 I think I probably said that his cartooning and character design are strong. This applies to this submission as well. I think this is my favorite thing I've seen from Rodges. The drawing is really great and there is a lot of motion in the comics. The storytelling is straightforward and easy to follow. Most of all, the gags work. Good old fashioned cartoon physical comedy. Well, the ending is kind of morbid but still, comedy. The piece was originally submitted as a minicomic but Lucas had to re-format. I'd bet the minicomic looked pretty great. I really think Rodges is going to make some really great comics sometime soon. The chops are there. I just want to see him to cut loose on a longer character driven story. (I could say that same thing about most of my favorite minicomics creators.)

Bitchin' Zodiac by Julie Sadler.
This is a neat color collage piece depicting the signs of the zodiac. Not really comics. I don't know enough about this sort of thing to say much more than that I like it.

The Cold Season by Adrian Sanders and Fabio Moon.
This five page story looks reads and feels very polished and comfortable. It has the look of Craig Thompson paying homage to Wil Eisner. It is not so much a story as it is just a moment. A slice of life about two strangers passing on a snowy night but the drawing is very strong and captures the characters thoughts in an effective and not over sentimental way. I would like this a lot more if the balloon lettering had been done in the same style as the author credits.

Untitled by Adrian Sanders and Nancy Ahn.
With Cold Season and this twelve page piece, Sanders proves that at the very least he has a talent for picking good artists. If I had to pick a favorite piece from this Shiot Crock it is probably this one. The story is a commentary on politics and war from the viewpoint of a ten year old emperor. The story is clever but nothing significantly original but the storytelling and the drawing are really nice. I like everything about every page. The pacing, the page layout, the lettering, the drawing, the character design, the inking... I would really like to see more comics from Nancy Ahn. She invokes a lot of what I like about Marjane Satrapi and Joann Sfarr.

The Nine Scratch n' Sniff Circles of Protestant Heaven by Cynthia Seagren and Casey Casein.
If there is anything different about this and their entry in Shiot Crock 11, I can't seem to find it.

The Lonely Felllows by Stephanie Silver.
This twelve page entry exhibits some really lovely drawing and neat characters. The story is about a bird befriending a whale. The drawing and story have the feel of a children's book but the dialog is just edgy enough to give mom and pop a chuckle. It reminds me a lot of James Kochalka's kids stuff like Peanutbutter and Jeremy. It's a really neat idea and I would love to see more of these characters.

A-Symmetricl O-Possum by Shannon Smith.
This was my entry. I made it specifically for Shiot Crock but by the time SC 12 finally happened I had already printed it in various ways and places so it's old news to me now. You can read what other folks thought about it here. Thanks to Karen Lucas for re-formatting my tiny foldie mini to fit this nice big book.

The Cloud by Dan Taylor.
I discovered Dan Taylor's comics a year or two ago through Comicspace and really like his stuff. Any anthology would be better for having his work in it. This story is a neat little play on old fashioned morality tales. It has the feel of a series of standalone newspaper gags linked together to tell a story. Taylor's craft is really top notch. The drawing, the inking, the tones, the lettering... it's all it's all really dead on. I really should just drop everything and go buy some of his comics right now.

Stamp Thing by Vertov.
I'm really not sure what to make of this. I read it and re-read it. There is some drawing, a lot of stamping, some cut out text and other things. (Maybe it is all stamps. I can't tell for sure. The little bodies look like they were drawn.) I guess this is collage comics. A lot of different elements creating a fairly unified vibe. I got a guess at what the message is but I'm not entirely sure. There should be some sort of Fort Thunder hotline number where a counselor can explain art comics to confused readers.

Training Facilitator by the unknown minicomic submitter.
I think it is perfect for the spirit of Shiot Crock that the last comic in the book would be from someone who did not put their name in the comic. Maybe the original editor knew the name of the creator but I prefer to imagine the thing just showed up in the mail with no credits or return address. The story is really just a begining to a story. Several characters are introducing themselves at the beginning of some weird "re-integration" training. There are some really cool character designs here. Each character gets their own panel to introduce themselves and the panels would work nicely as weirdo trading cards. I wish there was more to it than just the introductions. Unknown minicomic submitter where are you?

So... in conclusion, I think it is a really solid anthology. There are several misses but the hits are pretty awesome. I expect to see several of these foks make some great comics somewhere in futureland.

Click here to see what some of the other contributors thought about this Crock.

I think the deadline for the next Crock is sometime soon. You can find out more here.

Your best pal ever,
Shannon Smith

p.s. I can't for the life of me figure out how to get a paragraph break to look right on blogger. The paragraphs look prefect in "preview" and then when I post the thing some are squished together and some are wayyyy apart. If you know what the heck is wrong with blogger then let me know. Thanks.